“A symbolical bust of Napoleon, dressed as a Roman emperor, is on a rectangular base on which are title and inscription : ‘Symbolical of the Effects produced by that Cause which the enlightened (Fox) [Depicted] in ye Eighteenth Century sagaciously predicted would ultimately prove a Stupendous Monument of Human Wisdom!!!’ The head is turned in profile to the left.; the features are conventional but express ferocity, with glaring eye and fierce frown. It wears a fantastic helmet wreathed with laurel from which blood drips. The wreath is entwined by serpents, whose (three) heads are clustered at the back with words in large letters issuing from their jaws: ‘Rapine’, ‘Lust’, ‘Murder’. The word ‘Invasion’ issues in the same manner from the mouth. Above the wreath the helmet is encircled by a band on which are quasi-zodiacal signs: a scorpion, a sickle, a crescent, an arrow, a caduceus, a goat-like monster. On the helmet sits a grinning Devil, playing a fiddle and spreading his webbed wings over the idol‘s head, while from under one wing Death, a skeleton, peers out; he holds a javelin poised to strike and a cup of poison inscribed ‘Jaffa’ [see British Museum Satires No. 10063]. The shoulders are covered by drapery, drawn aside to reveal (rotten) ribs and a torn and bleeding heart which is transfixed by a dagger and a barbed spear. A scroll floats from the dagger inscribed ‘Wilsons Narrative’; the spear has a scroll inscribed ‘British Press’ and is surmounted by a cap of Liberty. Fragments torn from the heart are inscribed ‘Acre’ [see British Museum Satires No. 9412], ‘Egypt’ [see British Museum Satires No. 9250, &c], and ‘Irel[and]’, while in the middle of the heart is a triangular patch: ‘England’. The heart is surmounted by a crown made of blood-stained daggers with a central fleur-de-lis.”–British Museum online catalogue.
Printmaker: Barth, J. S., printmaker.
Title: A Gallicidol [graphic] / J. Boyne del. ; J. Barth sc.
Publication: London : Published by R. Cribb, 20 Augt. 1803.
Lord Leinster, personified as a rough Irish farmer, leads Queen Caroline by a rope around her neck. Leinster expounds: ‘Dam me! no one but the D… shall stop her.’ Another figure in the background, probably Bartolomeo Pergami, replies: ‘Stop Nosey, let me feel that Heifer.’
Title: A shewheifergoing to LeinsterStableYard [graphic].
Publication: [Dublin : Pub. by McCleary, 21 Nassau Street, 1820]
“The head and shoulders of the dog, who has a handsome collar inscribed ‘John Bull’, project into the design from the right. One paw presses down a rat with the head of Wellington, who looks up in anguish at the dog’s angry jowl. Behind are other frightened rats with human heads: a bloated bishop, Peel, Wetherell, Eldon, Cumberland, and two others. The rats have been robbing the barn of ears of wheat.”–British Museum online catalogue.
Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852, printmaker.
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes … On the table below the window (left) is a bowl labeled “Pease porridge” and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man’s coat is hung on the back of the chair to the right of the hearth.
Creator: Nixon, John, -1818, artist.
Title:A patentextinguisher, being a safe & easy mode of putting out a candle.
A dustman bends over a large woman who has fallen and lifts her by placing his hands under her arms. She looks up angerly and shakes her fist at the dustman’s young assistant in an apron who looks on (left) with a smile and hand raised. Two dogs jump around the group.
A image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire.
Title: [Ticket for Dalby Theatre] [graphic].
Production: [Melton Mowbray? : publisher not identified, 1803]
“Lady Conyngham, immensely fat, and broadened by inflated sleeves and skirt, walks away from the picture-plane. The King advances from the right and takes her right hand. The back of her head is covered by a large ‘5s.’ piece, showing the reverse or “tail”, with St. George and the ‘Honi Soit’ … inscription. The King’s face is covered with a sovereign, showing the obverse, with his own head, the profile towards the lady, and ‘Georgius IV’… inscription. She wears an enormous high-crowned hat trimmed with loops of ribbon, the brim extending beyond her vast shoulders. He wears a top-hat and braided coat with fur collar, the ribbon of the Garter, and the Golden Fleece, with knee-breeches. Above the design: ‘If thou be a King, where is thy Crown! My Crown is in My heart, not on my head!’ Shakspeare– [“3 Henry VI’, III. i].”–British Museum online catalogue.