The golden image that Nebuchadnezzar the king had set up

“A sequel to British Museum Satires no. 6438. George III, seated on a balloon, points downwards with his sceptre to an image of Pitt (right) as a naked child, on a column which is inscribed ‘Family Presumption’. The king looks down at North, Fox, and Burke, saying, “I command you O Shadrach Mesech & Abednego!” The three stand (left) in attitudes expressing intense self-righteousness; they say: “Know O King we will not worship ye Golden Image”; on each head rests a tongue of flame. They stand outside a dilapidated building on the extreme left inscribed ‘St Stephens’, shored up by a beam, whose base is at their feet, inscribed ‘Resolutions Unrescinded’. From its coping-stone flies an ensign flag inscribed ‘Firm S.P.Q.B.’ The king’s balloon is inscribed ‘Prerogative’; its lower axis emits a blast inscribed ‘Gracious Answer’. Behind the balloon and Pitt are clouds inscribed ‘Breath of Popularity’. Pitt stands sucking his finger (cf. British Museum Satires no. 6417); on his head is a sugar-loaf surmounted by a flag inscribed ‘Feby 28′, an emblem of the Grocers’ Company which had entertained him on that day, see British Museum Satires no. 6442. Kneeling figures do obeisance before the image of Pitt, those in the foreground representing the least reputable trades: a lamplighter (left), with his ladder and oil-can, kneels in profile to the right; a butcher prostrates himself; a chimney-sweep kneels with clasped hands; a ragged scavenger, his shovel and basket beside him, kneels in profile to the left, the basket stands on a paper inscribed ‘[Worshipfu]ll Company of Scavenger[s]’. In the foreground lie papers inscribed ‘Garret Address’ (an allusion to the mock elections of Garratt), ‘Address’, and ‘The worshipfull Company of Chimney Sweepers’. A crowd of kneeling figures (left) is worshipping the idol; they hold standards, three of which are inscribed ‘Bristol’, ‘Westminster’, and ‘London’, representing the addresses to the king which had been compared by Fox to those made to Charles II, see British Museum Satires no. 6438, &c.”–British Museum online catalogue.

  • PrintmakerCollings, Samuel, printmaker.
  • TitleThe golden image that Nebuchadnezzar the king had set up [graphic] / Annibal Scratch del. et sculp.
  • Publication[London] : Pub. by W. Wells, No. 132 Fleet Street, March 11th, 1784.

Catalog Record

784.03.11.05+

Acquired May 2017

Bat, Cat & Mat, or, How happy could I be with either

Caricature with Queen Caroline on the arms of Bergami (left) and Alderman Wood (right), jubilant on the sidewalk before the door of “Mother Wood”. The Queen wears a watch at her waist and two miniature portraits hanging from cords from her bosom.

  • PrintmakerLane, Theodore, 1800-1828, printmaker.
  • TitleBat, Cat & Mat, or, How happy could I be with either [graphic].
  • PublicationLondon : Pub. by G. Humphrey, 27 St. James’s St., Jan. 19, 1821.

Catalog Record

821.01.19.02

Acquired March 2017

The historians

A lady (Mrs. Catherine Macaulay) with an aquiline profile sits at a table opposite a clergy man (Dr. Wilson) as she writes with a quill pen. The walls are lined with full bookshelves separated in the middle by a fireplace with a mantelpiece on which sits a bust of “Alfred rex”. Both figures wear the same enormous hair as in British Museum no. 5441.

  • PrintmakerDarly, Mattina, printmaker.
  • TitleThe historians [graphic] / Mattina Darly sculp.
  • Publication[London] : Pub. May 1, 1777, by MDarly, 39 Strand, [1 May 1777]

Catalog Record 

777.05.01.08

Acquired April 2018

George, &c. Whereas it is humbly meant…

Indicting Morton, Anderson and Craig for proposing the toast: “George the Third and last, and damnation to all crowned heads.”

  • AuthorScotland. Lord Advocate (Dundas : 1789-1801)
  • TitleGeorge, &c. Whereas it is humbly meant and complained to us by our right trusty Robert Dundas : Esq ; of Arniston, our advocate, for our interest, upon John Morton apprentice to Stewart, Ruthven, and Company, printers in Edinburgh, James Anderson journeyman printer with Mundell and Son printers in Edinburgh, and Malcolm Craig, also journeyman printer with the said Mundell and Son …
  • Published[Edinburgh], [1793]

Catalog Record

File 523 M88 793

Acquired June 2017

Elegy on the Death of Lady Coventry

  • CreatorCallcott, John Wall, 1766-1821.
  • TitleElegy on the Death of Lady Coventry. Stanza First. [Song, words] By Mason.
  • Published[London] : Printed for the Author, 1797.

Catalog Record

Quarto 74 797 C15

Acquired April 2017

George, &c. Whereas it is humbly meant and complained…..

Indicting Morton, Anderson and Craig for proposing the toast: “George the Third and last, and damnation to all crowned heads.”

  • AuthorScotland. Lord Advocate (Dundas : 1789-1801)
  • TitleGeorge, &c. Whereas it is humbly meant and complained to us by our right trusty Robert Dundas : Esq ; of Arniston, our advocate, for our interest, upon John Morton apprentice to Stewart, Ruthven, and Company, printers in Edinburgh, James Anderson journeyman printer with Mundell and Son printers in Edinburgh, and Malcolm Craig, also journeyman printer with the said Mundell and Son …
  • Published[Edinburgh], [1793]

Catalog Record 

File 523 M88 793

Acquired June 2017

Judas Macchabaeus : a sacred drama

  • AuthorMorell, Thomas, 1703-1784, librettist.
  • TitleJudas Macchabaeus : a sacred drama. As it is performed at the Theatre Royal in Covent-Garden. The musick composed by Mr. Handel.
  • PublicationLondon : Printed for the administrator of J. Watts; and sold by T. Lowndes, in Fleet-Street, [1768?]

Catalog Record

Quarto 768 M84 768

Acquired August 2017

A catalogue of all the stock in trade, working tools, household furniture…

  • Author: J. Agg & Son.
  • TitleA catalogue of all the stock in trade, working tools, household furniture, and other effects of Mr. Michael Weston, brazier and tinman, High-Street, Evesham, which will be sold by auction, by J. Agg & Son … on Monday, the 22nd day of September, 1817, and five following days.
  • PublicationEvesham : J. Agg, [1817]

Catalog Record 

125 Ag266 817

Acquired July 2017

Gravesend, the [blank] day of [blank] 179[blank]….

Printed form has been filled out in ink for “Paol Antonio Girolami a gentleman … native of Corsica,” presumably a refugee. Manuscript completions on the sheet supply his age, height, complexion, eye color and other distinguishing features.

  • TitleGravesend, the [blank] day of [blank] 179[blank], order to pass from Gravesend to the Alien Office, Crown Street, near Whitehall.
  • Publication[England] : [publisher not identified], [179-]

Catalog Record

File 66 799 G77

Acquired July 2017

 

The origin of Fairlop Fair

Broadside celebrating Fairlop Fair, held annually held on the first Friday in July. The broadside gives a short account of the origins of the fair, reproduces two songs sung by a Mr. Hemingway and a Mr. Lidard during the fair, and shows the festivities in an impressive woodcut which was printed from a woodblock fashioned from the celebrated Fairlop Oak. The Fairlop Oak was an impressive oak in the Hainault Forest near a lake at Fairlop Waters. In 1725 Daniel Day (d. 1767), a ship-builder, took some friends for a picnic there, repeating this for a number of summers until it gradually developed into a larger event, attended by ship-, boat- and barge-builders and their associated trades, though it was always held without a charter. By the early 19th century it was a well attended fair, known for its sometimes riotous behaviour. Day always made a point of arriving at the fair in a boat on wheels and this tradition continued. These impressive modes of transport, festooned with lights and sails, full of people in garish costumes making music and breaking into song were one of the features of the fair, and a well-known spectacle in the East End of London when they set off. By 1813 the Fairlop Oak had lost a great deal of its crown. The broadside here records its girth as being 36 feet. The tree was blown down in a gale in 1820, and its timber was used for a variety of celebratory furniture but also for the block from which the present woodcut was carved.

  • TitleThe origin of Fairlop Fair, &c. : taken from an original drawing by an eminent artist & printed off a wood cut engraved on a block of the celebrated tree.
  • Publication[Ilford, England] : J.W. Peele, [1824]

Catalog Record

File 74 824 P374

Acquired April 2017