“View of the Jubilee Fair in Hyde Park; in foreground to left a small stage erected with a band playing and jesters performing, a small crowd stands in front, a few tents in central foreground with signs such as “Duke of Wellington Whitbreads Intire”, and on a lamp “Dancing and Singing Here”; beyond a crowd stands by river bank watching a sham sea fight, many sailing ships on water with smoke billowing from the scene, on the opposite river bank the fair continues.”–British Museum online catalogue.
Title: Jubilee Fair [graphic].
Publication: [London] : Published Sept. 10, 1814, by J. Pitts, No. 14 Great St. Andrew Street, Seven Dials, [10 September 1814]
Steam-driven coaches and carriages and three-wheeled vehicles loaded with well-dressed passengers fill Regent’s Park. The chaos and conjestion fill the park with dust and dark smoke and result in accidents.
Printmaker: Alken, Henry Thomas, 1784-1851, printmaker.
Title: A view in Regent’s Park, 1831 [graphic].
Publication: London : Pubd. Feby. 20, 1828, by S & J. Fuller, at their Sporting Gallery, 34 Rathbone Place, [20 February 1828]
“Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher, wielding clubs; to left, Ralpho is held by a man with a rope and another with a sword”– British Museun online catalogue.
A macabre caricature divided into two compartments, The Dandy and The Dangle. On the left, a strutting dandy ties his neckcloth in front of a mirror saying: ‘I declare these large Neckcloths are monstrously handy, They [serve] for a shirt too and make one a Dandy.’ The right hand image is of a dandy, head covered in a cloth, dangling from a wooden beam with a tie around his neck. Behind him is a town square and in the foreground, a crowd looks on. The image is accompanied by the text: ‘When a man comes to this there’s little to hope, His neat Dandy Neckcloth is changed for a Rope’.
Title: Fashionable ties, or, Modern neckcloths [graphic].
Publication: [London?] : [publisher not identified], [ca. 1810]
In a large room French aristocrats crowd across a table from Pitt who is taking money while handing a pen to the man opposite who holds a crown in his left arm as he throws coins toward Pitt’s grasping hand. Above Pitt stands George III behind podium, gavel in one hand and another crown extended toward one of the many bidders shouting comments and prices. The King calls out, “This is a lot, gentlemen, of superior brilliancy to the last. This, this raises you above your fellows in a very high degree indeed. I pity your distresses from my soul, what, what, what was that you were saying about jewels, Madames, too high. You may ride over the necks of half the nation with this upon your coach. You may get in debt as fast as you please and never pay. Mind that gentlemen, never pay.” The Queen walks up a ladder behind the King to retrieve more crowns from the shelves behind the King’s podium, turning her head to say, “Pay some attention to that Lady’s jewels, my love.”
Creator: Byron, Frederick George, 1764-1792, attributed name.
Title: English coronet auction by K-, P- & Co., or, Comfort for the late French noblesse [graphic] / designed by Corruption ; executed by Avarice.
Publication: London : Pubd. by Willm. Holland, No. 50 Oxford Street, July 8, 1790.
A satire on the electoral Reform Bill of 1831, which was passed soon after this print was issued. Grant shows the figure of blind Justice leaning out from a mass of billowing clouds and holding her scales labelled “Reform 1813”. The load on the left side labeled “People’, though containing fewer documents — Magna Carta, Economy & Retrenchment, Peace of Plenty, Extension of the Electi[c] Franchise, Cheap Government — is heavier than the other plate “Oligarchy” which is weighted down by: Bribes, Corruption, Six Acts, Corn Law, Church, Rotten Boroughs, Corporation Charters, Law & Iniquity, Taxes, Imposts, Holy Alliance, [F?]onal Debt. A group of four men in the left foreground include a judge; the one man says “Behold! a mere feather turns the ballance in our favour and saves us from revolution & disgrace.” Just beyond them in the middle distance the King stands firmly and says “The triumph of this great & vital cause will fix my crown more firm upon my head.” On the right a group of over six men including a clergyman who wipes his brow and cries “The draft is in their favor. Our cause is lost. Oh dictatorium, dictatorium, dic-“. Another gentleman behind him cries “They may vainly recken on a paltry unit, we have yet power to rent it peicemeal [sic].” In the distance a crowd cheers, and some hold signs for “Reform” and “Support the King & his ministers”, etc.
Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852.
Title: Majority one against the boroughmongers [graphic] / C.J. Grant.
Publication: [London] : Pub. by John Fairburn, Broadway, Ludgate Hill, March 26th, 1831.
“The rival candidates swarm up a pole, inscribed ‘Westminster Election’, in front of the hustings in Covent Garden. At the top is Burdett with the body and beak of a goose … He is precariously poised on one webbed foot, the right leg. hanging down, dripping blood from a wound in the thigh (from Paull’s bullet), but he is supported by a pitchfork held against his rightump by Horne Tooke, or the Devil, who stands astride the roof of the hustings. Tooke has webbed wings inscribed ‘Deceit’ and ‘Sedition’, cloven hoof and barbed tail, with round hat, coat, and clerical bands. Burdett’s wings are ‘Conceit’ and ‘Vanity’; his neck is stretched out towards an irradiated sun in the upper right. corner of the design, at which he is hissing, ‘ssss [&c]’ issuing from his beak. On the disk is a crown on a cushion; it is encircled by the words: ‘The Sun of the Constitution’. Just below the goose is Cochrane, wearing the cocked hat and coat of a naval officer with striped seaman’s trousers. He is active and agile, one hand on the pole, and one leg round it. In his right. hand he holds up a bludgeon: ‘Reform’, shouting fiercely to the mob below; his right. foot rests on the cask which encloses the paunchy body of the man below (Elliot), who is falling backwards. From his pocket issues a paper: ‘Charges against St Vincent.’ Below him legs and arms wildly outflung emerge from the cask which is inscribed ‘Quassia’ … The head of the falling cask, inscribed ‘Elliots Home Br[ewed], drops off, and its foaming contents pour down. Elliot drops a paper: ‘Sixpenny Jack’s Address’. Below Elliot, Sheridan, in his Harlequin suit (see BMSat 9916), enormously fat, grasps the pole with arms and legs, making no progress. Below him Paull falls head foremost and in back view to the ground; he is dressed as in BMSat 10725 and his (wounded) left leg breaks above the top-boot. He drops his shears and a cabbage. …”–British Museum online catalogue
Print shows on the left, a statue of Justice in a niche beneath which a candidate, doffing his hat, offers a purse of money to a voter who replies, “Twill scarce pay, make it twenty more”, beside them a gentleman points to the statue saying “Regard Justice” to another carrying a bundle on his shoulder who replies, “We fell out, I lost money by her”. In the centre, in front of a large crowd are two candidates, both waving their hats, slip coins into two of the many pockets of a voter’s coat; one candidate says, “Sell not your Country” and the voter replies, “No Bribery but Pocketts are free”. Further to the right another candidate, saying “Accept this small acknowledgment”, offers a purse to a gentleman who grovels on the ground for coins that have been thrown down by the prevailing candidate, from his position on a chair supported by poles on the shoulders of four men. On the right, a statue of Folly in a niche empties bags of coins; before the statue is an altar on which a fire burns, a candidate kneels at its base imploring, “Help me Folly or my Cause is lost”; to the left of the altar, is a butcher crying “See here, see here” and to the right, a classical philosopher, saying “Let not thy right hand know what thy left does”, puts his hand behind him to received a bribe from a young man. Beyond is a tavern outside the landlord, wearing horns, calls out “He kist my Wife he has my Vote”; outside the tavern hangs the sign of a bottle with a large globe attached.
Title: Ready mony the prevailing candidate, or The humours of an election [graphic].
Published: London : Sold at the Print Shop in Grays Inn,