The transiting of Venus over the Sun’s disk

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“The Duke of York’s head in profile to the left is the centre of rays which at some distance are obscured by dark clouds. The eye and part of the face are hidden by a five-pointed star, in which is the head of Mrs. Clarke, also in profile to the left. The star casts a sharp shadow on the Duke’s face. His very thick neck is encircled by a military collar and black stock. Below the title: ‘This Phenomena was known to a few Philosophers previous to its becoming visible to the public Eye, and we are assured by many Scientific persons, is not likely to happen again within the existance of the present generation–vide Vox Stellum’.”–British Museum online catalogue.

  • PrintmakerWilliams, Charles, active 1797-1830, printmaker.
  • TitleThe transiting of Venus over the Sun’s disk [graphic] : March 1809.
  • Publication[London] : Pubd. April 1809 by Walker, Cornhill, [April 1809]

Catalog Record & Digital Collection

809.04.00.01+

Acquired October 2016

The traytors coat of arms

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A broadside, anti-Jacobite, anti-Catholic and anti-French. The lilies of the French Royal arms changed to upside down frogs and the legitimacy of the Stewart line questioned by the inclusion of the bed-pan child over the priest’s shoulder.

  • TitleThe traytors coat of arms [graphic].
  • Publication[London?] : [publisher not identified], publish’d September the 16th, 1746, according to act of Parliament.

Catalog Record & Digital Collection

746.09.16.01++

Acquired October 2016

Over weight, or, The sinking fund, or, The downfall of faro

“Lady Buckinghamshire, enormously fat, is seated in profile to the right in an open chariot which sinks through a rectangular aperture in front of the Weigh-House, its weight being too great for the apparatus for weighing wagons. She throws up her arms and one leg, dropping her whip and reins. The hind legs of the plunging horses are in the pit; they snort wildly; the chariot and horses resemble those of Phaeton burlesqued. On the chariot is an oval escutcheon with four quarterings (cards, dice, wine-bottle, and glass) and the letter ‘B’. On the right (behind) are two street-lamps on tall pyramidal posts.”–British Museum online catalogue.

  • PrintmakerNewton, Richard, 1777-1798, printmaker, artist.
  • TitleOver weight, or, The sinking fund, or, The downfall of faro [graphic] / Rd. Newton del. et fecit.
  • PublicationLondon : Pubd. by S.W. Fores, corner of Sackville Street, March 14, 1797.

Catalog Record and Digital Collection

797.03.14.01+

Acquired November 2016

An apparition

In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone.

  • PrintmakerNewton, Richard, 1777-1798, printmaker.
  • TitleAn apparition [graphic].
  • Edition[State with aquatint].
  • PublicationLondon : Pubd. by W. Holland, No. 50 Oxford Street, May 1, 1790.

Catalog Record & Digital Collection

790.05.01.02.1+

Acquired November 2016

Road to Ruin

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“Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed ‘Chance’; its centre, a segment of which is visible, is composed of the letters on an ‘E.O.’ (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, “Push away! that’s your sort!” He cries, “Straight Sailing! that’s your sort!” Both the horses have human heads; that of the Duke says, “I’m the Sort for Leading; that of the Prince is Fox.” The Prince’s hat with feathers and the motto ‘Ich dien’ flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, “No Jealous Fitz – that’s your sort!” The other, seated behind her, holds the end of the Prince’s shirt, she has a large fox’s brush and is probably Mrs. Armistead; she says, “Well done Charley! That’s your sort!” The Prince says, “I’m the sort for a Widow – she’s done over!” Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed ‘Styx’, a bridge or culvert beside it is ‘Hazard’. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed ‘ABC….’ In his right hand he holds out a dice-box inscribed ‘Oat – ‘ shaking from it two dice inscribed ‘la’ and ‘nds’ (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of ‘Tennis Balls’ (cf. British Museum Satires No. 7903) which resemble guineas. He says, “I’m the sort! for running out!” For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed ‘Lottery Hack’; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed ‘Illegal Insurance’ (cf. British Museum Satires No. 7750); he says, “That’s your sort – I’m in for it – I shall do the deep Ones!” The other two shout, “Go it! Dam’me! that ‘s your sort!” and “Dam Trade! Life and a Racer! that ‘s your sort.” Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, “We’re the wrong side of Temple Bar, my dear, we are only the sort to be laughed at”; she answers, “Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort.” By their horse’s head is a signpost inscribed ‘Rotten Row’, with a pointing hand inscribed ‘Hoyle’ (on Whist), the vertical post inscribed ‘Crim. con.’ The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed ‘Faro’; she carries on her arm a wicker cage containing pigeons and says, “Unplucked Pidgeons! that’s the sort.” In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, “50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot’s de sort.” Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte.”–British Museum online catalogue.

  • PrintmakerDent, William, active 1783-1793, printmaker.
  • TitleRoad to ruin [graphic].
  • Publication[London] : Pubd. by W. Dent, March 20, 1792.

Catalog Record & Digital Collection

792.03.20.02+

Acquired October 2016

Soliciting a vote

“Satire on politicians; an elegant candidate removes his hat to a portly countryman who rebuffs his approach, mindful of the candidate’s vote in favour of the Roman Catholic Relief.”–British Museum online catalogue.

  • PrintmakerNewton, Richard, 1777-1798, printmaker, artist.
  • TitleSoliciting a vote [graphic] / Rd. Newton del. et sc.
  • Publication[London : Pub. by T. Tegg, June 20, 1807.

Catalog Record & Digital Collection

807.06.20.01+

Acquired November 2016

 

A Gallic idol

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“A symbolical bust of Napoleon, dressed as a Roman emperor, is on a rectangular base on which are title and inscription : ‘Symbolical of the Effects produced by that Cause which the enlightened (Fox) [Depicted] in ye Eighteenth Century sagaciously predicted would ultimately prove a Stupendous Monument of Human Wisdom!!!’ The head is turned in profile to the left.; the features are conventional but express ferocity, with glaring eye and fierce frown. It wears a fantastic helmet wreathed with laurel from which blood drips. The wreath is entwined by serpents, whose (three) heads are clustered at the back with words in large letters issuing from their jaws: ‘Rapine’, ‘Lust’, ‘Murder’. The word ‘Invasion’ issues in the same manner from the mouth. Above the wreath the helmet is encircled by a band on which are quasi-zodiacal signs: a scorpion, a sickle, a crescent, an arrow, a caduceus, a goat-like monster. On the helmet sits a grinning Devil, playing a fiddle and spreading his webbed wings over the idol‘s head, while from under one wing Death, a skeleton, peers out; he holds a javelin poised to strike and a cup of poison inscribed ‘Jaffa’ [see British Museum Satires No. 10063]. The shoulders are covered by drapery, drawn aside to reveal (rotten) ribs and a torn and bleeding heart which is transfixed by a dagger and a barbed spear. A scroll floats from the dagger inscribed ‘Wilsons Narrative’; the spear has a scroll inscribed ‘British Press’ and is surmounted by a cap of Liberty. Fragments torn from the heart are inscribed ‘Acre’ [see British Museum Satires No. 9412], ‘Egypt’ [see British Museum Satires No. 9250, &c], and ‘Irel[and]’, while in the middle of the heart is a triangular patch: ‘England’. The heart is surmounted by a crown made of blood-stained daggers with a central fleur-de-lis.”–British Museum online catalogue.

  • PrintmakerBarth, J. S., printmaker.
  • TitleA Gallic idol [graphic] / J. Boyne del. ; J. Barth sc.
  • PublicationLondon : Published by R. Cribb, 20 Augt. 1803.

Catalog Record & Digital Collection

803.08.20.01+

Acquired October 2016