The Devils doings

“The Devil (right), in the foreground and much larger than the other figures, stands Asmodeus-like on a house-top (cf. British Museum Satires No. 16160), overturning with a long pole a dinner-table and upsetting the guests who fall on clouds of Dust. He is a grotesque muscular creature with goat’s legs, barbed wings and tail, and looks round with a triumphant grin at the spectator. The guests are also assailed by harpies, little winged men, whose bodies terminate in barbed and scaly tails. One of these (Corder), holding a long bill which rises into the air above him, assails a man (Roach) mounted on a cockroach and holding up a book inscribed Parish Acct; he is The Grand Carver mounted on his Cockroach.; from the cockroach’s antennae hang two big keys, and it emits a tail-blast inscribed We are of the Select, against his assailant. The latter holds out a paper inscribed Majority 7 and says am I not the Elect. Another harpy holding out a constable’s staff flies menacingly towards the cockroach, saying, By St Thomas I cheque this. Roach exclaims: I tell you it’s all a farce so we have taken the liberty to Cribb the Books Keep the Keys tight Cockey. A third harpy threatens the feast with a pair of spurred cavalry boots, saying you will Do-Well to give in, showing he is T. W. Dow (a boot-maker of York Street, Covent Garden. P.O. London Directory, 1822), see British Museum Satires No. 15528. A fourth has seized a paunchy Vestryman by the nose; the victim screams Oh my Nose–Rose Water rose water–oh oh oh– From the table fall birds, hare, tureen, decanter, pineapple, &c. The dust forms a background, and is inscribed Dust for the Eyes of the Parishioners; looming through it is the façade of St. Paul’s, Covent Garden. The bill held by Corder is headed Dinners. The items are Richardson £8-5, Hodgson & Gan £47-11-0, wine 5. 3. 0. Hodgson & Gan[n] Venison feast 30. 3- 6–Dinner on auditing Accounts £11- 4- 0, Hodg & Gann Ditto £40 4-0, Richardson Visitation Din . . £22. 7. 6, Joys St Thomas Day Dinner £20-10-0—&c &c.”–British Museum online catalogue.

• Printmaker: Heath, William, 1795-1840, printmaker.
  
• Title: The Devils doings, or, The cruel radical harpies destroying a feast [graphic] / [man with an umbrella] Eqs. de.
  
• Publication: [London] : Pub. by T. McLean, 26 Haymarket …, [April 1828]

Catalog Record

828.04.00.02+

Acquired October 2018

Mum : a political ballad for the present times

A satire on Walpole and the Whigs.

• Author: Leslie, Charles, active 1738-1743.
• Title: Mum : a political ballad for the present times : with annotations political, critical, and historical.
• Published: Edinburgh : Printed, and sold by the book-sellers in town, MDCCXL [1740]

Catalog Record 

763 740 L56

Acquired October 2018

A nautical impromptu

Satire with two naval officers (one of whom is the Duke of Clarence caricatured, with heavy jowl, protruding lips, and small slanting eye) abusing each other at table, observed by a civilian who winks and holds a finger to the side of his nose. The naval officer on the right says, “Why, they say there is always a fool in every family, & they generally send him to Sea.” The Duke of Clarence in the middle responds, ” How the Devil came you to put into the Navy, Captain.” The civilian to the right, observes, “Britons strike home!!!” On the table are plates of fruit and wine glasses with two carafes one of which is labeled “Goose” and a booklet entitled “An essay on Government by Jordan”. Two pictures on the wall in the background illustrate the theme: on the left, the image shows a man (King George) holds the arm of a crying young cadet, a sword between his legs, carries the title “Win them first then wear them.” On the right, “On board the London” is an image of two officers fighting while two big sailors smile as they watch.

• Title: A nautical impromptu [graphic].
  
• Publication: [London] : Publd. Augt. 22d, 1827, by S.W. Fores, 41 Piccadilly, London, [22 August 1827]

Catalog Record 

827.08.22.01+

Acquired October 2018

A new game of shuttle cock as played by his Majestys servants

“Ministers and others strike at a shuttlecock above their heads inscribed ‘Speakers Warrant’; among the feathers sits a little man holding a crowned staff; he says: “Curse this game I dont Like it I never experienced Such boning about in my life, I wonder when you will have done”; he is Colman the Serjeant-at-Arms. Eldon, in his Chancellor’s wig and gown and holding the Purse of the Great Seal, is the centre of a close group; he says: “Dont knock it here we have not power to Strike it”. Perceval, in back view, wears his Chancellor of the Exchequer’s gown and holds a document inscribed ‘Majority’; he says: “Curse the thing I wish I had never Seen it away with it”. A second judge whose head is partly visible behind Eldon is probably Ellenborough. On the right is Gibbs, holding a paper inscribed ‘Attorn[ey Gen]eral’. He says: “D-n it Ill hit it as Hard as I can tho I’m almost afraid to meddle with it”. There are two others in the group, one is silent, the other resembles Canning (not in the Ministry); he says: “Sure honey Right or wrong I always stick to the Strongest Side so do let me have a Slap at it”. The sturdiest striker stands in back view on the left, with a paper inscribed ‘Read Bow Street’ projecting from his pocket; he says: “I cant Read it Die Veneris! why its Spanish to me we dont understand Them there warrants”. On the extreme left stands the Speaker, Abbot, with a bat inscribed ‘Double’; he says: “Dont Strike it to me again Ill have nothing more to do with it I’ve sent it to Bow Street”. The bats used are not the usual long-handled battledores as (e.g.) in British Museum Satires No. 9716, but short-handled wooden bats. Above the design: ‘NB The Feathers of the Shuttle Cock were pluked [sic] from a Sumersetshire Goose’ [Lethbridge, see British Museum satires no. 11538].”–British Museum online catalogue.

• Printmaker: Heath, William, 1795-1840, printmaker.
  
• Title: A new game of shuttle cock as played by his Majestys servants for the mausement [sic] of John Bull [graphic].
  
• Publication: [London] : Pub. 22 Apl. 1810 by Fores, Picadilli [sic], [22 April 1810]

Catalog Record 

810.04.22.01+

Acquired October 2018

Knock and ye shall enter

“An archaic iron-studded door, with posts and lintel of solid but ancient oak, represents the door of the ‘COMMONS’ [inscription on lintel]. Above: ‘”They of Rome are enter’d in our Counsels Sh.’ [‘Coriolanus’, I. ii]. An old-clothes’ man stands at the door in profile to the left gazing up at the inscription; he raises the knocker, a ring in the mouth of an angry lion’s head. He is bearded, with an ultra-Jewish profile, and has three hats piled on his own, the topmost being a flaunting feminine erection. He wears a ragged and patched gaberdine, old-fashioned buckled shoes, and carries across his shoulder a large bag, from a hole in which projects a pig’s foot (a pig in his poke). On his back is an open box of trinkets, containing watches. Close behind him stands a turbaned Turk, watching him with eager anxiety. The Jew: ‘Come I sha–Open the door vill ye–I vants to come in–and heres a shentlemans a friend of mines–vants to come in too–dont be afeard–I dont vant a sheat for nothing–I can pay for it So help me Got.’ Three men (safely inside) look down at the applicants from a small open window beside the door (right): a dissenter, holding his hat, and characterized by lank hair and plebeian features (resembling Liston as Maw-Worm, cf. British Museum Satires No. 16943); a Jesuit wearing a biretta, and putting a thumb to his nose, and a fat elderly monk; the last two frown. The left door-post (somewhat cracked) is inscribed: ‘OAK Suppose to be sound Put up 1688 only latly discovered to be full of Skakes[?peare].'”–British Museum online catalogue.

• Printmaker: Heath, William, 1795-1840, printmaker.
  
• Title: Knock and ye shall enter [graphic] / [man with an umbrella] Eq. del.
  
• Publication: [London] : Pub. by T. McLean, 26 Haymarket …, [ca. June 1829]

Catalog Record 

829.06.00.01+

Acquired October 2018

The unexpected visit

“The King, in Chinese costume and seated on a cushion, among the chinoiseries of the Pavilion (cf. British Museum Satires No. 12749), throws up his arms in terror at the entry (right) of the Queen, closely followed by Alderman Wood. Her demure dress contrasts with that of a woman, who, much alarmed, runs off to the left from beside the King. Sidmouth (left) and Castlereagh (right), both in Chinese dress, are equally terrified, and Lord Eldon peeps anxiously from behind a little pagoda. Both visitors extend an arm towards the King in an authoritative gesture. Words float from them towards the King: ‘Nothing extenuate nor set down aught in Malice [Othello, v. ii] men sleeping with her at Black Heath 1808 v. call Hoods [sic].'”–British Museum online catalogue.

• Printmaker: Heath, William, 1795-1840, printmaker.
  
• Title: The unexpected visit, or, More free than welcome [graphic].
  
• Publication: [London] : Pub. June 17th, 1820, by S.W. Fores, 50 Picadilli [sic], [17 June 1820]

Catalog Record 

820.06.17.01+

Acquired October 2018

Maternal management, or, A plot discovered

The plot hatched by a mother to marry her daughter to an old wealthy colonel is discovered. Both the mother and daughter are fashionably dressed in large dressess, hats and large sleeves. The mother stands on a veranda looking down at her daughter seated with a portfolio in her lap; she turns back to look at her mother raising a lorgnette to look up at her. In the speech balloon above her head, the mother is shown to say, “Julia, love, as Colonel Ingot has amassed a vast fortune in India, I really think him worth your attention. I have sent to the Music Seller for every thing Indian. Sing nothing else love, if you can bear a couple of Cashmeres on do & complain of the chilliness of the Climate, look into Guthrie for a few hard Bengal names & at dinner eat nothing but a little Currey, you can have refreshments in your dressing room love. The daughter smiles up at her mother, and says, “Very well Ma, but you don’t think he’d last long?” Below them, under the rose-coverd trellis the elderly colonel looks horrified at what he hears.

• Printmaker: Heath, William, 1795-1840, printmaker.
  
• Title: Maternal management, or, A plot discovered [graphic].
  
• Publication: London : Published by Thos. McLean, 26 Haymarket, 1829.

Catalog Record 

829.00.00.111+

Acquired October 2018

Melancholy loss of the medal

“A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I’ve found my Breeches, but consider your Worship how I shall be Quized–The L–d H–h-A–l knows all about it. I never was before the Public but once, shant forget that in a hurry–Yes–yes I found the breeches, but where’s my Silver Gilt Trafalgar Medal eh? I’ll have it if it costs me a Thousand Pounds. I could’ent live without it. Ay Ay she’s the Thief but I will not hang her unless your worship wishes it–If I had her aboard my Ship D–n me I’de give her a round dozen–I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There’s no proof you cant Harm–her.”–British Museum online catalogue.

• Printmaker: Heath, William, 1795-1840, printmaker.
  
• Title: Melancholy loss of the medal [graphic].
  
• Publication: [London?] : [publisher not identified], [1828?]

Catalog Record 

828.00.00.01+ Impression 2

Acquired October 2018

Peeling a Charley

“Peel kicks a lean old watchman behind, and drags from his shoulders his patched and tattered coat. Just behind him (right) is a big bonfire in which a watch-box and battered lanterns are blazing; beside it lie more lanterns, a rattle, and staves. In the background a watchman hangs by the neck from the branch of a tree, still holding rattle and lantern. Beside the tree is a pond from which projects an arm clutching a rattle. Peel says: ‘”But such a poor, bare-forked animal as thou art–Off–off you lendings: come unbutton here vide Shaks–‘ [“Lear”, III. iv]. The terrified watchman answers: ‘”Nay, take my life and all, pardon not that: You take my house, when you do take the prop That doth sustain my house; you take my life, When you do take the means whereby I live, vide Shaks.’ [“Merchant of Venice”, IV. i].”–British Museum online catalogue.

• Printmaker: Heath, William, 1795-1840, printmaker.
  
• Title: Peeling a Charley [graphic] / William Heath.
  
• Publication: [London] : Pub. Sep. 29th, 1829, by T. McLean, 26 Haymarket …, [29 September 1829]

Catalog Record 

829.09.29.01+

Acquired October 2018