“The head and shoulders of the dog, who has a handsome collar inscribed ‘John Bull’, project into the design from the right. One paw presses down a rat with the head of Wellington, who looks up in anguish at the dog’s angry jowl. Behind are other frightened rats with human heads: a bloated bishop, Peel, Wetherell, Eldon, Cumberland, and two others. The rats have been robbing the barn of ears of wheat.”–British Museum online catalogue.
Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852, printmaker.
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes … On the table below the window (left) is a bowl labeled “Pease porridge” and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man’s coat is hung on the back of the chair to the right of the hearth.
Creator: Nixon, John, -1818, artist.
Title:A patentextinguisher, being a safe & easy mode of putting out a candle.
“Lady Conyngham, immensely fat, and broadened by inflated sleeves and skirt, walks away from the picture-plane. The King advances from the right and takes her right hand. The back of her head is covered by a large ‘5s.’ piece, showing the reverse or “tail”, with St. George and the ‘Honi Soit’ … inscription. The King’s face is covered with a sovereign, showing the obverse, with his own head, the profile towards the lady, and ‘Georgius IV’… inscription. She wears an enormous high-crowned hat trimmed with loops of ribbon, the brim extending beyond her vast shoulders. He wears a top-hat and braided coat with fur collar, the ribbon of the Garter, and the Golden Fleece, with knee-breeches. Above the design: ‘If thou be a King, where is thy Crown! My Crown is in My heart, not on my head!’ Shakspeare– [“3 Henry VI’, III. i].”–British Museum online catalogue.
“John Bull, a much overburdened soldier, looks up in angry dismay at a helmet inscribed ‘Glory’ which Pitt (left) is about to place on his head. He says, “O D—-n the Glory I shall never be able to bear it all!” Pitt stands in profile to the right; the large plumed helmet which he holds up in both hands is irradiated. From his pocket hangs a long paper headed ‘List of Ships £5000000’. John Bull, short and stout, stands full face wearing a gorget, with two pistols in his belt, a long sabre suspended horizontally from his waist, its blade inscribed ‘Twenty more Kill em!’ He holds a blunderbuss in his right hand, which fires ‘Pop Pop’ into the air; a large pike in his left hand, a broadsword held in his left arm; a musket and a huge knapsack are slung on his back. In the foreground are ordnance stores: a barrel (left) inscribed ‘Right Rich – mond double Proof’ with cannon-balls, and (right) a cannon, cannon-balls, drum, and flag. In the background a fleet of ships sails from the shore on which stands a cheering crowd.”–British Museum online catalogue.
Printmaker: Collings, Samuel, attributed name.
Title: Arming John Bull to fight the buggoboos!!! [graphic].
Publication: [London] : Pub. by S.W. Fores, No. 3 Piccadilly, Aug. 6, 1790.
The opponents of parliamentary reform, including Wellington and Peel, attempt to pull down a column topped by Lord John Russell, a portrait of William IV on the plinth. The “Explanation of the engraving”: This spirited sketch was originally designed by George Cruikshank. Esq., of Pentouville, London. The column in the centre is dedicated to the “King and Constitution,” on the base of which is a portrait of his present Majesty, William IV. On the top of the columnn [sic] stands Lord John Russell, holding in his hand the Mirror of Truth. On the left of the pillar the Duke of Wellington, Sir R. Peel, and others are attempting with cords, axes, &c. to overturn the column; while on on [sic] the right, Lord Chancellor Brougham and Earl Grey stand in a calm and dignfied position, smiling at the futile attempts of the Boroughmongers to overturn the People’s Rights. On the same side Lord Althorp is seen bearing a banner, representing the future prosperity of England, and the Attorney General (Sir Thomas Denman) is supporting the Flag of Victory.
Title: Boroughmongers’ attack on the British column [graphic].
Publication: [Birmingham, England : Printed by R. Heppel, 113 Coleshill-Street, Birmingham …, ca. 1830]
“Mrs. Clarke stands in the lobby of the House of Commons, a section of which is seen through the partly open door: the corner of three tiers of empty benches and the gallery, with a strip of the Speaker’s chair, showing his right elbow. She is directed to the right, with head turned to the spectator. She wears a plain blue pelisse over a white dress, a straw bonnet with lace drapery which she raises from her face. In her dropped right hand she holds a huge (?) chinchilla muff. She is elegant, alluring, and assured.”–British Museum online catalogue.
Printmaker: Williams, Charles, active 1797-1830, printmaker, artist.
Title: Mrs. M.A. Clarke [graphic] / drawn & engraved by C. Williams.
Publication: [London] : Pubd. Feby. 25, 1809, by S.W. Fores, 50 Piccadilly, [25 February 1809]