A street accident

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A dustman bends over a large woman who has fallen and lifts her by placing his hands under her arms. She looks up angerly and shakes her fist at the dustman’s young assistant in an apron who looks on (left) with a smile and hand raised. Two dogs jump around the group.

  • CreatorNixon, John, -1818, artist.
  • Title[A street accident] [art original].
  • Production[England], [not before 1804]

Catalog Record &Digital Collection

Drawings N736 no. 6

Acquired August 2016

Civitas Bristol

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A decree of the Common Council of Bristol signed: Cann.
The wood-engraved of the Bristol city arms is between “Civitas” and “Bristol.”

  • AuthorBristol (England)
  • TitleCivitas Bristol. Tempore Petri Day, ar’ major, XIVmo die Decembris anno Regni dom’ Georgii decimo tertio, annoq; domini, MDCCXXVI. Whereas there is and hath been, time out of mind, a good, antient, and laudable custom, had and used within the late borough, and now city of Bristol, and the liberties thereof, that no person (not being free of the said late borough, or now city) did or could keep any shop within the late borough, and now city of Bristol, or the liberties thereof …
  • Published[Bristol] : [publisher not identified], [1726]

Catalog Record

File 64 726 B776++

Acquired July 2016

Mrs. M.A. Clarke

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“Mrs. Clarke stands in the lobby of the House of Commons, a section of which is seen through the partly open door: the corner of three tiers of empty benches and the gallery, with a strip of the Speaker’s chair, showing his right elbow. She is directed to the right, with head turned to the spectator. She wears a plain blue pelisse over a white dress, a straw bonnet with lace drapery which she raises from her face. In her dropped right hand she holds a huge (?) chinchilla muff. She is elegant, alluring, and assured.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker, artist.
  • TitleMrs. M.A. Clarke [graphic] / drawn & engraved by C. Williams.
  • Publication[London] : Pubd. Feby. 25, 1809, by S.W. Fores, 50 Piccadilly, [25 February 1809]

Catalog Record  & Digital Collection

809.02.25.03

Acquired July 2016

Bristol markets

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The tickets could be had of William Ludlow, deputy clerk of the markets

  • CreatorBristol (England)
  • TitleBristol markets : In consequence of many frauds and impositions practised by sundry persons carrying provisions for the inhabitants, from the several markets within this city, the Mayor and Common Council have ordered, that such persons who shall hereafter be engaged in that way, shall bear certain tickets or marks whereby they may recommend themselves as trustworthy to their employers. …
  • Published[Bristol] : [publisher not identified], [1784]

Catalog RecordDigital Collection

File 64 784 B776++

Acquired July 2016

Croesus and Thalia

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Print shows an ugly and leering elderly man, identified as the London banker Thomas Coutts, embracing the actress Harriet Mellon (later Mrs. Coutts, and subsequently Duchess of St. Albans).

  • PrintmakerRowlandson, Thomas, 1756-1827, printmaker.
  • TitleCroesus and Thalia [print] : as rich as Croesus, as ripe as a melon / Rowlandson invt.
  • Publication[London : Pub. 15 May, 1815, by T. Palser, Surry Side Westr. Bridge, 15 May 1815]

Catalog Record & Digital Collection

815.05.15.01

Acquired June 2016

Arming John Bull to fight the buggoboos!!!

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John Bull, a much overburdened soldier, looks up in angry dismay at a helmet inscribed ‘Glory’ which Pitt (left) is about to place on his head. He says, “O D—-n the Glory I shall never be able to bear it all!” Pitt stands in profile to the right; the large plumed helmet which he holds up in both hands is irradiated. From his pocket hangs a long paper headed ‘List of Ships £5000000’. John Bull, short and stout, stands full face wearing a gorget, with two pistols in his belt, a long sabre suspended horizontally from his waist, its blade inscribed ‘Twenty more Kill em!’ He holds a blunderbuss in his right hand, which fires ‘Pop Pop’ into the air; a large pike in his left hand, a broadsword held in his left arm; a musket and a huge knapsack are slung on his back. In the foreground are ordnance stores: a barrel (left) inscribed ‘Right Richmond double Proof’ with cannon-balls, and (right) a cannon, cannon-balls, drum, and flag. In the background a fleet of ships sails from the shore on which stands a cheering crowd.”–British Museum online catalogue.

  • CreatorCollings, Samuel, attributed name.
  • TitleArming John Bull to fight the buggoboos!!! [graphic].
  • Publication[London] : Pub. by S.W. Fores, No. 3 Piccadilly, Aug. 6, 1790.

Catalog Record & Digital Collection

790.08.06.01+

Acquired May 2016

Wife & no wife, or, A trip to the Continent

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“The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted … On the wall and pillars of the church are four framed pictures: ‘David watching Bathsheba bathing’, ‘St. Anthony tempted by monsters’, ‘Eve tempting Adam with the apple’, and ‘Judas kissing Christ’, the last being over the head of Fox.”–British Museum online catalogue.

  • PrintmakerGillray, James, 1756-1815, printmaker.
  • TitleWife & no wife, or, A trip to the Continent [graphic] / design’d by Carlo Khan.
  • PublicationLondon : Publish’d by Willm. Holland, No. 66 Drury Lane, London, March 27, 1786.

Catalog Record & Digital Collection

786.03.27.01.2++

Acquired October 2015